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Sep 03, 2026
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Kim Weston’s ‘Dancing With Sweet Grass’ Opens at Clare Gallery in Hartford

Hartford – The Clare Gallery welcomed the opening of Kim Weston’s latest exhibition, Dancing With Sweet Grass, on August 30, 2026. The show marks the start of the gallery’s fall season and continues a series that aims to amplify voices historically excluded from the nation’s founding narrative.

Artist background and vision

Weston, whose heritage includes African‑American and Cherokee ancestry, traveled to powwow circuits across the United States to capture the movement and grace of the dances. In her own words, the project investigates the connection between what is “seen and known,” using photography that intentionally blurs and softens the image to create an ethereal, spiritual quality.

What the photographs convey

The blurred focus is not accidental. Weston cites a near‑death experience that deepened the spiritual teachings passed down from her grandmother. The resulting images contain streaks of light and fleeting flashes, suggesting that forces of history and nature are momentarily captured alongside the dancers.

Local relevance

The exhibition resonates strongly with New England audiences. Hartford sits on land that witnessed the first Thanksgiving, the French and Indian War, and the subsequent displacement of Native peoples. Weston’s work invites viewers to confront that legacy, reminding the community that the consequences of those historic events are still felt today.

Calls for reconciliation

In her artist’s statement, Weston notes the ongoing struggle of Native peoples to reclaim their lands. She points to Connecticut’s two major casino resorts, Foxwoods and Mohegan Sun, which sit on reservations established only in the 1980s and 1990s, underscoring that the fight for land rights is a contemporary issue, not merely a chapter of distant history.

While many public events now begin with acknowledgments that participants are standing on stolen land, Weston argues that acknowledgment alone is insufficient. She suggests that tangible restitution—returning land—offers a concrete step toward healing.

Community response

Local residents and cultural leaders have praised the exhibition for its thoughtful presentation of Native culture and its challenge to the community to engage more honestly with its past. The show provides an opportunity for Hartford’s families, faith groups, and civic organizations to explore how history shapes present‑day identity and responsibility.

“Weston’s photographs act like a mirror, reflecting both the beauty of the dance and the lingering shadows of our collective history,” said a representative from the Hartford Historical Society, who attended the opening reception.

Practical details

The exhibition will run through October 15, 2026, with opening hours from 10 a.m. to 6 p.m., Tuesday through Saturday. Admission is free, and guided tours are offered on Saturdays at 2 p.m. For more information, visit the Clare Gallery website or call the gallery directly.


Original reporting: New Haven Independent — read the source article.

OBBM Network Editorial Staff

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Editorial team behind OBBM Network — independent, hyper-local journalism syndicated through HyperLocalLoop and OBBM Network TV.

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