The film ‘Backrooms,’ directed by Kane Parsons and written by Will Soodik, delves into the unsettling concept of the Backrooms, a phenomenon that originated as an internet legend on 4chan. These are spaces that, while seemingly normal, evoke a sense of unease and wrongness, like an abandoned parking lot or an empty furniture store.

The idea of the Backrooms first gained traction as a creepypasta, a type of online horror story that becomes a modern legend. The concept is simple yet chilling: an alternate dimension of endless, carpeted yellow hallways where one might become lost if not careful. Parsons, who began exploring this concept through a YouTube series in 2022, has now brought it to the big screen.

For much of its runtime, ‘Backrooms’ effectively captures the eerie aesthetic that made the web series popular. The film attempts to expand on the original idea by focusing on the characters and their experiences within these unsettling spaces. However, as the movie progresses, it loses momentum. The characters lack depth, and the storyline becomes muddled, particularly in the third act, leaving audiences with more questions than answers.

Despite these issues, ‘Backrooms’ succeeds in translating the disquieting nature of its source material to film, at least initially. It raises the question of whether a single unsettling idea can sustain an entire movie. While the film’s execution may falter, the concept of the Backrooms remains a fascinating exploration of how ordinary spaces can become extraordinary and unsettling.

Original reporting: SaportaReport — read the source article.