Tanya Kaiser, a Cleveland-based artist, is set to unveil her new exhibition, ‘Crystallized Innocence’, at 934 Gallery. The exhibition, which kicks off with an opening reception from 6-9 p.m. on Friday, July 10, features works by Kaiser, Hannah Fitzgerald, and Savannah Fout.
Concept and Inspiration
Kaiser conceived the idea for ‘Crystallized Innocence’ a few years ago, reflecting on how American society has increasingly moved to devour childhood innocence. ‘Especially in this political climate, it’s something that’s not being protected. It’s something that’s being consumed,’ she said. Kaiser cited the Epstein files, child abductions, and the sexualization of children as examples of this consumption.
Kaiser’s artistic process involved immersing childhood objects, such as onesies and stuffed animals, in baths of sugar water for weeks at a time, allowing crystals to develop. The encased items were then placed in home-built dehumidifying chambers to dry, sprayed with a sealant, and set in wooden frames. Kaiser compared the construction of the frames to building coffins, describing the process as a ‘mourning’ and ‘cathartic’ experience.
Symbolism and Meaning
Kaiser chose to work with sugar for its corrosive properties, which contrast with its reputation as something sweet and indulgent. The use of sugar serves as a commentary on the darker side of societal consumption. Kaiser’s work also touches on themes of childhood innocence, protection, and the impact of societal forces on children.
Original reporting: Matter News (Columbus) — read the source article.
Artist Tanya Kaiser
Tanya Kaiser, a Cleveland-based artist, is set to unveil her new exhibition, ‘Crystallized Innocence’, at 934 Gallery. The exhibition, which kicks off with an opening reception from 6-9 p.m. on Friday, July 10, features works by Kaiser, Hannah Fitzgerald, and Savannah Fout.
Concept and Inspiration
Kaiser conceived the idea for ‘Crystallized Innocence’ a few years ago, reflecting on how American society has increasingly moved to devour childhood innocence. ‘Especially in this political climate, it’s something that’s not being protected. It’s something that’s being consumed,’ she said. Kaiser cited the Epstein files, child abductions, and the sexualization of children as examples of this consumption.
Kaiser’s artistic process involved immersing childhood objects, such as onesies and stuffed animals, in baths of sugar water for weeks at a time, allowing crystals to develop. The encased items were then placed in home-built dehumidifying chambers to dry, sprayed with a sealant, and set in wooden frames. Kaiser compared the construction of the frames to building coffins, describing the process as a ‘mourning’ and ‘cathartic’ experience.
Symbolism and Meaning
Kaiser chose to work with sugar for its corrosive properties, which contrast with its reputation as something sweet and indulgent. The use of sugar serves as a commentary on the darker side of societal consumption. Kaiser’s work also touches on themes of childhood innocence, protection, and the impact of societal forces on children.
Original reporting: Matter News (Columbus) — read the source article.
OBBM Network Editorial Staff
[email protected]Editorial team behind OBBM Network — independent, hyper-local journalism syndicated through HyperLocalLoop and OBBM Network TV.
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